There really is only one name associated with the equine sculptures by Connoisseur of Malvern, and that is Richard Sefton. In particular his horse-and-rider sculptures truly capture the essence of the partnership between rider and steed. Originally an architect and builder, Mr. Sefton became a sculptor in the mid-1970s and launched a successful artistic career that spanned almost four decades.
The wonderful Free Spirit embodies the grace and pride of the Arabian horse. An issue of only 100 sculptures in 1985, it is 14” h and 18” l (35.5 cm x 45.75 cm) on its recessed cherry plinth. Free Spirit’s issue price is unknown but retailed for $2100 by 1987. (Any other colorways of this study, such as a dapple grey, were not produced by the original Connoisseur of Malvern studio.)
This charming study of a mare and foal is called Windborn and was an edition of 100 in 1985; retail was $2550 by 1987. It is 15” high and 21” long overall (38 cm x 53 cm) including the cherry wood base. (Any alternate colorways of this study were not produced by the original Connoisseur of Malvern studio.)
The foal was issued as a separate study called Arab foal ‘Freedom’ as an edition of 100 at $575, on a recessed cherry wood plinth; the height is given in Connoisseur’s 1986 catalog as 11.75″ (amost 30 cm). It is important to note that the three other colorways of ‘Freedom’ (a slightly darker light bay with black points, a dark chestnut with a white blaze, and a pinto) are sometimes seen for sale but those versions were not produced by the original Connoisseur of Malvern studio even though they may bear a similar backstamp that includes the Connoisseur name. The only original 1985 Connoisseur of Malvern ‘Freedom’ foal is the colorway shown in the photos above.
Created in 1983 as a limited edition of 25, this sculpture Sefton has an interesting backstory. During the terrorist bombing at Hyde Park in July 1982 several men and horses of the Queen’s Royal Household Cavalry were killed. One of the most critically injured was the veteran horse Sefton who had served for 17 years as a Cavalry mount. Although not expected to survive, against all odds he did recover after extensive and repeated surgeries and returned to duty amidst great public honor (a more detailed account of his history can be found on Wiki). The commander of the Household Cavalry at that time was Lt. Col. Andrew H. Parker-Bowles (whose wife Camilla later married Charles, Prince of Wales, in 2005) and each accompanying certificate of authenticity for this piece was also hand-signed by him. This Connoisseur sculpture is affectionately referred to by collectors as “Sefton by Sefton”. It is an impressive 21” h x 17.5” long (53 cm x 45 cm). The wood base increases the overall height to 23″ (58.5 cm.) Sefton’s issue price of $4950 rose to $5500 in only a few years.
Clive Willets, jeweler/goldsmith in Kinver (Staffordshire), created the sword, scabbard, stirrups, bit and curb chains for Sefton. This was his first commission for Connoisseur; he later went on to create the silver elements for the Trumpeter of the Life Guards and for Drummer on Coriolanus, both of which are shown below.
Trumpeter of the Life Guards on Delilah was created the following year (1984) and was an edition of only 10, priced at $7500. The Life Guards are part of the Household Cavalry which contains the only mounted band in the British Army. Here the Trumpeter wears the elaborate State Livery which is worn on occasions when the Royal Family is present. The coat bears the Royal insignia and the helmet is replaced by a velvet jockey cap. Dimensions including the recessed cherry plinth are 22″ h and 21″ wide (approx. 56cm x 53 cm.)
The sense of speed and movement present in Khan is simply breathtaking. This is a large piece, measuring over 2 ft tall, 14” long, and 11” deep on its recessed cherry plinth (61 cm h, 35.5 cm l, 28 cm d.) shown in the first photograph. Issued in 1985 as an edition of 10, it sold for $11,500. The standard production base is shown in the first photo. Brielle Galleries, which was one of Connoisseur’s premier USA retailers, also offered a custom vitrine for an additional $2500; they also offered custom wood bases. An example of the custom bases is the octagonal one seen in the second photograph.
The absolutely magnificent Shogun was introduced in 1983 and was a limited edition of only 10 sculptures. It is 27″ (68.5 cm) high and 29″ (73.6 cm) wide. As noted above for ‘Khan’, some of these may be found with custom wood bases. The “standard” base was of dark cherry in a wide polygon shape, so the example in the photo above appears to be on a custom base. It should also be noted that this example was cited as having various areas of minor damage.
This incredible detail photograph graced the cover of Brielle Galleries’ Quest for Excellence publication in 1983.
Speaking of custom bases, this “table base” was an option for those who purchased Shogun from Brielle Galleries. The overall height upon this plinth was 57″ (almost 1.5 meters)! The retail price of Shogun was $24,000.
The local newspaper Asbury Park Press published this account in October1984 of the Brielle introduction party for Shogun:
Last year’s spring show introduced the Shogun porcelain from Connoisseur of Malvern. All 10 limited editions were sold at $24,500 each. [It] was a two-day affair and guests who bought the new Peony porcelain (240 people) were treated to their hotel accomodations and a black-tie dinner dance Saturday night. After breakfast the next day, they joined the throng jamming the tent behind the Galleries to participate in a Japanese extravaganza. The entire area inside the tent and out was transformed into a Japanese garden complete with trees filled with porcelain birds and a little bridge. Guests were entertained by a Japanese dancer. Yura, a well-known caterer and Sumo wrestler, provided the food: a Sushi bar and other authentic Japanese dishes. The food was served in Bento boxes and later guests got to take the boxes home.
Shogun was not the only magnificent Asian equestrian study. This is Child of the East, also introduced in 1983 as a limited edition of 10. Accounts of its issue price differ: One source cites it as $6750 and another as $8750. This too was sold out at its American introduction at Brielle Galleries. Depicting a 10th-Century Heian boy riding his pony to the Gion Festival, it is another large study at 20″ high and 22″ wide (53 cm x 46 cm). The catalog does state that it had an accompanying rosewood base which is not shown in these photographs.
Chigo was a limited edition of 25, issued in 1986, and is 20″ (51 cm) high on its recessed cherry base, and 19″ (48 cm) wide. It retailed for $11,250 at introduction. The Gion Festival, celebrated during the entire month of July, is the most famous in Japan. “The Chigo” represents the pageboy of the gods and is an integral part of one of the rituals because he acts as the intermediary between the people and the gods. The sword he carries will be used to cut a sacred straw during the ceremonies at the shrine to which he rides in procession.
Drummer on Coriolanus was an issue of 10 in 1984. On its recessed cherry wood base this study is 27″ (68.5 cm) high and 30.5″ (77.5 cm) wide. The workmanship on the silver kettledrums is simply astounding. By 1987 this issue was nearing its completion, at a retail price of $17,500.
Drum horses are specifically selected for their ability to carry not only their rider but the very heavy kettledrums, which is why they are almost invariably either Clydesdales or Shires. The drum horses are thus larger (at about 19 hands) than the rest of the regimental mounts which average about 16 hands high. Drum horses are traditionally named after heroes of Greek myth and legend – the ‘star’ of the current troop is named Achilles – but Coriolanus was named after a Roman general.
The photo above shows MUS Robert Newnham on Coriolanus in Hyde Park in January 1985, and he was kind enough to share some background about his mount, who was in the regiment from 1977-1986. Coriolanus’ nickname was “Bumble”; he was especially fond of Polo mints and would be quite persistent about being provided one as a daily treat. Although a bit choosy about which adults he liked, he was extremely gentle and tolerant with children while also having a distinctive sense of humor!
Not quite a horse but nevertheless an equine is Fiesta, an issue of 25 dating from 1988 and 19” (48.25 cm) high. Notice the fine detail and shading in the burro’s coat, the panniers and sombrero, the poncho fabric, and even the decoration on the rider’s guitar. And those melons look almost good enough to eat!
[A sculpture of a rider astride a bucking bronco – known variously as ‘Bronco Buster’ and/or ‘Get Off My Back’ – was originally created by Richard Sefton during his time at Connoisseur of Malvern; however, it was never produced for retail by them. The full story of the eventual retail offering of that piece, in porcelain and otherwise, appears within the Resin Copies of Connoisseur of Malvern Porcelain post, as ‘The Case of the Confusing Cowboy.’]
Mr. Sefton, who died of cancer in 2008, is shown in this 2005 photograph taken by Douglas Jackson. His artistry is sorely missed.
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